By John P. O'Grady
Pilgrims to the Wild is a survey of yankee writers who've answered to their encounters with the wildlife. Ranging in its therapy from Thoreau’s very important yet overlooked essay, 'Walking,' to the exuberant letters of the younger artist Everett Ruess (who disappeared within the Escalante canyonlands), this can be a largely dependent exploration that brings to undergo japanese and Western classical philosophy, in addition to modern serious idea, on a particular culture of yank Writing—those works occupied with the human dating to the nonhuman world.In addition to delivering a clean interpretation of vintage authors the sort of Thoreau and Muir, this publication introduces readers to the fewer widely recognized yet both attention-grabbing writers Clarence King and Mary Austin.
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Pilgrims to the Wild is a survey of yankee writers who've answered to their encounters with the flora and fauna. Ranging in its remedy from Thoreau’s very important yet missed essay, 'Walking,' to the exuberant letters of the younger artist Everett Ruess (who disappeared within the Escalante canyonlands), this can be a commonly dependent exploration that brings to endure japanese and Western classical philosophy, in addition to modern serious concept, on a particular culture of yank Writing—those works involved in the human courting to the nonhuman international.
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Additional info for Pilgrims to the wild: Everett Ruess, Henry David Thoreau, John Muir, Clarence King, Mary Austin
1 Rexroth recommends that the novice camper stuff a remarkable assortment of books into the pack: Izaak Walton's The Compleat Angler, Gilbert White's The Natural History of Selbourne, andmost remarkable of allJohn Bunyan's The Pilgrim's Progress. " Lofty praise indeed, even exaggerated, but Rexroth's words are insightful, providing us with a point of departure: The pilgrim is a spiritual bushwhacker. Or to phrase it in more anthropological terms: ''A pilgrim is one who divests himself of the mundane concomitants of religion ...
Limen, "threshold"). Every pilgrim is a potential emigrant. If the strange territories are more compelling, more enrapturing than the provenance, then an abandonment ensues. Everett Ruess would commit just such an abandonment six months later. When he speaks in this letter to Frances of "unbearable beauty," what might he mean? When the mythologizers of his life inscribe his being within the signifier of "vagabond for beauty," what might they mean? What is meant by anybody's use of the word "beauty"?
Life in such a place, with its unpredictable environment and resultant human vagrancy, is best described as unstable, but it is more germane to say that such life can be outright dangerous. This was the fraying edge of American society, the stage for the "Wild West," traversed by dispossessed natives, fortune hunters, cattle rustlers, outlaws, movie companies, and touristspilgrims all. When moments of human companionship erupt upon this scene, they are sudden, unexpected, and register as gifts upon the observant Everett Ruess.