Download Images, Power, and Politics: Figurative Aspects of by Barbara N. Porter PDF

By Barbara N. Porter

The Assyrians have frequently been characterised because the robust males of the traditional close to East, controlling their empire mostly via army strength, terror, and intimidation. the recent interpretation of Esarhaddon's reign provided right here, although, means that his luck in facing conquered Babylonia lay in his masterful use of non-violent instruments of presidency: public works courses, royal public appearances, and particularly using files that offered varied pictures of the king and his guidelines to varied nationwide audiences. strains of those strategies within the regulations of prior Assyrian kings recommend that the Assyrians had lengthy used them, in addition to terror, to manage their empire. photographs, strength, and Politics: Figurative points of Esarhaddon's Babylonian coverage (681-699 B. C. ) additionally proposes a few new methods to analyzing Assyrian royal inscriptions. It indicates, for instance, that Assyrian construction files, even though frequently buried in foundations, have been first learn to modern audiences and have been basically designed for them. research of sophisticated alterations in Esarhaddon's Babylon inscriptions means that versions could be clues to the id of alternative meant audiences for texts that have been as soon as notwithstanding of as duplicates. photos, energy and Politics combines documentary and archeological proof to suggest a brand new interpretation of Esarhaddon's reign in response to shut studying of texts. It additionally proposes a brand new, extra complicated version of the ideas during which Assyria succeeded in governing her empire.

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2 , I. 8 ). F o r a d is c u s s io n o f t h e p r in c ip le o f s u c c e s s io n b y t h e e ld e s t s o n i n A ssy ria, s e e a b o v e , n . 2 2 . T h i s p o s s ib ility is s u p p o r te d b y t h e c o m m e n t o f B e ro ss u s t h a t S e n n a c h e r ib 's s u c c e s s o r o n t h e t h r o n e h a d a d if f e r e n t m o t h e r th a n t h a t o f t h e m u rd e re r: “ H e [S c n n a c h c rib J w a s assassinated b y h is s o n A d rc m c lo s . B u t A x c rd is . h is b r o t h e r b y th e s a m e f a th e r b u t n o t b y t h e s a m e m o th e r , k ille d h i m " ( S ta n le y M .

A p a ss a g e f r o m o n e o f S e n n a c h e r i b ’s a n n als,2” f o r e x a m p l e , im p li e s th a t t h e first h e i r t o th e t h r o n e n a m e d b y S e n n a c h e r i b w a s n o t E s a r h a d d o n , b u t a n o l d e r b r o t h e r n a m e d A s s u r - n ä d in - s u m i . " B o th th e t i t l e a n d h is a p p o i n t m e n t t o th e p r o m i n e n t p o s i ti o n o f k i n g o f B a b y lo n ia i m p l y th a t h e h e l d a s p e c ia l p o s i ti o n a m o n g t h e k in g 's s o n s a n d s u g g e s t th a t h e w a s b e i n g g r o o m e d t o f o l lo w S e n n a c h e r i b as k i n g o f A ssy ria.

W h e t h e r t h e r e w a s a n y b a sis in fa c t f o r t h e a c c u s a tio n s E s a r h a d d o n ’s b r o t h ­ e r s le v e le d a g a in s t h i m is im p o s s ib le t o d e c id e , s in c e t h e te x t s a v o id te l li n g u s w h a t t h e y w e r e ; t h e y w e r e , h o w e v e r , e v i d e n d y c o n v in c i n g t o S e n n a c h e r i b . T h e a c c o u n t r e p o r ts , “ T h e y a li e n a te d f r o m m e , a g a in s t t h e w ill o f th e g o d s , t h e h e a r t o f m y f a th e r , w h i c h h a d b e e n w e ll- d is p o s e d ( t o w a r d m e ) .

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