By Paul Elliott
Guattari Reframed offers a well timed and pressing rehabilitation of 1 of the 20 th century's such a lot engaged and interesting cultural philosophers. top often called an activist and practicing psychiatrist, Guattari's paintings is more and more understood as either eerily prescient and important within the context of up to date tradition. making use of the language of visible tradition and urban examples drawn from it, this e-book introduces and reassesses the most important innovations built all through Guattari's writings and his name to rework the deadening homogeneity of up to date life into the 'universe of inventive enchantments'. Paul Elliott asserts the importance of Guattari as a progressive thinker and cultural theorist, and invitations the reader to rework either their realizing of his paintings and their lives via his principles.
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Additional resources for Guattari Reframed: Interpreting Key Thinkers for the Arts (Contemporary Thinkers Reframed)
It is also obvious that both levels of understanding were needed at La Borde if treatment was to be successful and if the institution were not to merely project its own pre-formed identities onto those within it. It was only through manipulation at the molecular level that a change in the molar level could occur. The rigidity of the group and the institution (the molar assemblage) could only be affected through widespread molecular change. Throughout his life, Guattari was to come back to this fundamental set of concepts time and time again.
Subjected groups are closed and restrictive; they rely on the construction of outsiders for cohesion and are largely conservative and anxious. We can see this socio-psychological dynamic fully at play in Nazi propaganda that appeals to both the subjected group’s sense of tradition and the rigid paternal figure. The image of Hitler becomes then, not a kind of enigmatic persuader as many propagandists might suggest, but a father figure used to ward off 44 Guattari Reframed social anxieties and the fear of collective death.
However, for the sake of clarity and brevity I will offer a hybrid reading of Anti-Oedipus and A Thousand Plateaus here, using them both as a continuously evolving strategy rather than the distinctly different framework that each text actually represents. It should be obvious that this distinction (between early and later Guattari) corresponds roughly to the difference between the first two chapters of this book – the first period stressing the importance of group subjectivity and its relationship to the individual, and the second corresponding to the dynamics of the molar and the molecular and the desire that underpins them.