By Keith Ansell-Pearson
Germinal Life is the sequel to the hugely winning Viroid Life. the place Viroid Life supplied a compelling interpreting of Nietzsche's philosophy of the human, Germinal Life is an unique and groundbreaking research of little identified and hard theoretical features of the paintings of French thinker Gilles Deleuze.
In specific, Keith Ansell Pearson presents clean and insightful readings of Deleuze's paintings on Bergson and Deleuze's most famed texts Difference and Repetition and A Thousand Plateaus. Germinal existence also presents new insights into Deleuze's relation to a couple of the main unique thinkers of modernity, from Darwin to Freud and Nietzsche, and explores the connections among Deleuze and more moderen thinkers akin to Adorno and Merleau-Ponty.
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Additional info for Germinal Life: The Difference and Repetition of Deleuze
Addressing these questions through a careful reading of Deleuze's 1956 essay on Bergson and his 1966 text, Bergsollism, will take us to the heart of the project of philosophy as Deleuze conceives it, and also show that going 'beyond' the human condition does not entail leaving the 'human' behind. but rather aims to broaden the horizon of its experience. Throughout the contours and detours of his intellectual life Deleuze never ceased to grant a fundamental and vital autonomy to philosophy. It was from 20 Ansell-Pearson, Keith (Author).
Of course, such percepts must be united in a concept but such a concept will be modelled on the thing itself. Ultimately, the task, perhaps the most difficult of all Deleuze as readily acknowledges, is to identify the sufficient reason of the composite. This point can only be understood by appreciating the extent to which once the 'turn' has been made-'the turn in experience'-the lines that diverge and the tendencies which differ i n kind link together again and give rise to the thing as we come to know it.
Essay 4). This suggests that there may be a more objective basis to Deleuze's 'Nielzschean' reading of Bergson Ihan commonly supposed. Indeed, it is astonishing how close to Nietzsche Bergson is in the way he approaches questions of philosophy. Equally surprising is the fact that Nietzsche nowhere figures in the text Creative t:l'olutioll, since il is Nietzsche who had already endeavoured to think evolution beyond the terms of both mechanism and finalism. Let me return, however, to Deleuze's reading of Bergson.