By Pietari Kääpä
Ecology and modern Nordic Cinemas demanding situations the normal socio-political rhetoric of nationwide cinema by way of offering an ecocritical exam of Nordic cinema. the writer makes use of a number of analytical ways to interrogate how the nationwide paradigm will be rethought via ecosystemic matters, by way of exploring a number of Nordic motion pictures as nationwide and transnational, local and native texts, all with major worldwide implications. by means of synergizing transnational theories with ecological techniques, the learn considers the planetary implications of nation-based cultural production.
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Additional resources for Ecology and Contemporary Nordic Cinemas: From Nation-building to Ecocosmopolitanism
The story of farmer Benny and the cultured librarian Desiree is a good example of the ways ﬁlm productions caricature the oppositions between the city and the countryside. For example, she likes all the trappings of convenient modernity while he is obsessed with dungheaps and milking cows. His opinionated and outspoken manner clashes with her ‘civilized’ friends as much as the crudeness of his ‘country bumpkin’ friends infuriates her. Similar modes of stereotyping are also evident in other parts of the ﬁlm’s narrative.
Through this, it would not be too diﬃcult to suggest that if national narration has an ideological relationship with the environment, its normative constitutive ideology is anthropocentric. The sensitive male as a natural phenomenon If Shooting the Sun relies heavily on traditional approaches to combining nation and nature, others address emasculation directly to strengthen their conservative politics. One example of updating patriarchal gender politics to account for transformation in social paradigms was identiﬁed in Thomas Dubois’ discussion of Markku Pölönen’s Summer by the River.
The last section interrogates notions of Nordic exceptionalism in ecocritical cinema (Chapter 9) and a range of ecodocumentaries that oscillate between local and global concerns (Chapter 10). Finally, I conclude this book by exploring the notion of transvergence in ecophilosophical ﬁlms with a planetary scope. The relevance of Nordic ecocinema Scholars have discussed many of the problems outlined above from the perspective of ecocriticism in, for example, the context of Chinese cinema (Lu and Mi 2009) and especially in relation to the Hollywood industry.